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Originals vs Covers: Don’t Cha

Originals vs Covers: Don’t Cha

Let’s get one thing clear before we start out. I know this isn’t strictly a ‘cover’, more a ‘re-release’, but I’m going for it anyway. It’s a pretty interesting story that hardly anyone knows and gives a little insight into the cut-throat world of record companies and chart success.


At the beginning of January 2004, Cee-Lo Green was working with friend Tori Alamaze in his home studio, lending his production skills to help launch her solo career. Green’s dirty, catchy groove adapted the “don’t you wish your boyfriend was swass like me” hook from Sir Mix-a-Lot’s 1988 “Swass”, framing it in a sparse, urban arrangement. If you listen carefully, you can also hear Cee-Lo sing the response backing vocals on the verses. Shortly after signing to Universal Records later that year, Alamaze decided to end her contract early when “Don’t Cha” didn’t chart as well as expected.

Shortly after, Cee-Lo Green was approached by Interscope to produce for the Pussycat Dolls. Keen to garner favour with Interscope after having merged with DreamWorks, he suggested “Don’t Cha” as a lead single. Interscope promptly filed the paperwork and bought exclusive rights to the song. The song was given a mid-naughties pop make-over with the obligatory rap verse (a la Busta Rhymes), horns in the chorus, thicker rhythm and – obviously – the Pussycat Dolls replacing Tori’s vocals. It is, however, essentially the same session from Cee-Lo’s home studio.

In May 2005, while Tori’s version was still lurking in the Billboard R&B chart, the Pussycat Dolls re-release started creeping up the Billboard Hot 100, eventually reaching critical mass in September. At one point, “Don’t Cha” was the best selling single in 18 countries simultaneously, and at the time this article was published ranks as one of the top 150 best-selling singles of all time.

I don’t know about you, but If I were Alamaze, I would be pretty miffed. Pretty miffed indeed.

What do you put the success down to? Backing from a bigger record label? A saucy music video? Are the Pussycat Dolls better singers?

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Red Dog Music

Dawsons Music is delighted to announce that the Red Dog Music brand is now part of the Dawsons family. This is an exciting opportunity to bring both communities together and create a stronger, wider network of people passionate about music gear. We both share a common heritage to support musicians throughout the UK and Dawsons want to support Red Dog Music customers in their continued musical journey.

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